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From DSLR to DIY Studio: How to Build Your Visual Brand
What if your camera, your room, and your presence quietly told the audience, “You can trust me” before you say a word? Brooke sits down with home studio architect and longtime photographer Junaid Ahmed to unpack how light, composition, and intentional design turn everyday creators into on-camera authorities without buying everything at once.
We start with a surprising truth: the best beginner camera is the one in your pocket. Junaid Ahmed shares how to unlock manual controls on a smartphone, compose with gridlines and leading lines, and wait for the moment that gives a frame its story. From there, we build up through three-point lighting, key, fill, and hair, and explore how to darken a room, lock exposure, and add background color that supports brand identity instead of stealing attention. Along the way, you’ll hear why good audio, clean framing, and subtle lighting choices create instant credibility on Zoom, podcasts, courses, and live streams.
The conversation moves into systems thinking: modeling rooms with 3D planning, placing lights and cameras to fit your exact dimensions, and creating a space that lowers friction so you show up more often. Junaid breaks down his seven stages of home studio evolution, a clear path from smartphone novice to broadcaster where each upgrade solves a real bottleneck. We also talk creative reps, building rapport, and the confidence that comes from preparation, because consistency beats perfection when you’re trying to ship meaningful work.
Ready to level up without getting lost in gear? Press play, grab one tactic, and try it today. If this helped, follow the show, leave a review, and share this episode with a creator who’s ready to look and sound like a pro.
Hello, everybody. Welcome to Auto Focus. My name is Brooke. I'm your host. And today I am joined by our friend Janaide. Um, Janaide, thank you and welcome so much for being here. We met at Podcast Movement in Dallas, probably like about a month ago. Uh, but for everybody that doesn't already know you, why don't you tell us a little bit about you and what you do?
SPEAKER_00:Well, I'm a home studio architect and a podcaster, a father of four, and uh uh happy, happily married. Um I'm a so what is a home studio architect do? I help build studios for podcasters so that they can look their best, their most authentic self. And not that not only does that up their authority, it also boosts their confidence and people take them seriously p because they could actually be heard and uh seen properly that most likely they weren't uh doing that. Like I just had a call with a gentleman, he has three PhD degrees, he's done so much work uh in so many different areas, but he is like the video didn't carry that over. Like he had to say all of those things that he's done for to build that authority. But when you have a setup like the one that I'm sharing and the one that you have, it automatically gives you authority.
SPEAKER_01:Yeah, it doesn't, it just gives it that that like pro look, you know. You're like, oh, you're not using a cell phone and you're not just sitting in your living room, like re-recording this. Like you put you might actually be in your living room, but you put some thought into it. So I think that's that's really cool. So, okay, how did you learn photography? I wanted to talk about, let's start at the beginning.
SPEAKER_00:So when I was about 11 years old, my uncle was like, Hey, for one dollar, I will give you a camera as a gift. So I was like, Okay, here's a dollar, and I got this film camera, and I was like, wow, this is really cool. What can I do with it? And so that was the early beginnings, and as I grew older, I played with different types of cameras. We had tape, um, eight millimeter tape video cameras, so you could put in these tapes and then you know, record. Um, then that moved to then digital cameras. So I've been behind camera for a very long time, uh, over 30 years easily, right? And as I grew more comfortable with cameras, my wife was like, okay, we're gonna get you a DSLR for so our um anniversary, she got me a DSLR camera. This is 2013, and I was like, okay, I need to know every single thing this camera can do, every single thing. And as I went down the path, I I read over or took over 15 different courses: Hollywood camera work, foundation of photography, and those courses are still available on LinkedIn Learning and different platforms, but that's what really got me understanding the trifecta uh things that that make camera and photography possible.
SPEAKER_01:I love that that you you learned on LinkedIn. I, you know, I get that ad like all the time, you know, where it's like, you know, like like photography 101 or you know, you know, foundations of photography. Yeah. And I've never I've never actually clicked on it. And so that's really cool that that you did that.
SPEAKER_00:What's really cool is that this is before LinkedIn Learning had these courses. Before he used to be called lynda.com. So that's where I learned all of my courses on photography and filmmaking. And he even taught, like in one of the courses, they even taught this is how you shoot an interview, you know, over-the-shoulder kind of setup. The person is never looking at the camera, they're always looking at the side because that's where the person is talking sitting, and then you switch back and forth. But with the pandemic, we all started uh looking directly into the camera, kind of like newscasters.
SPEAKER_01:Yeah, yeah, I can totally see that because yeah, during the pandemic, then we I started doing a lot more like Zoom meets and Google meets. And I mean, and you're supposed to be looking at the person that you're interviewing, but I'm gonna be honest, I mostly look at myself to make sure that I'm not making a weird face or something. I'm always like, has my hair okay? Yeah. So but no one notices because like you're looking at the same screen. So I mean that's that's that's really funny. And I remember Linda. Oh my goodness, I think that that's how I learned After Effects was on Linda. It was during yeah, when I was doing a master's degree, yeah.
SPEAKER_00:Yeah.
SPEAKER_01:So that is amazing. What got you interested in photography?
SPEAKER_00:You know, so that that first intro into taking photos and then that small camera, and then knowing that I could capture a photo and you know, have that. But then I also saw my uncle and my friend. So I used to work at a computer store, and my friend was a wedding photographer and filmmaker. So he's take he would take these beautiful photos. I was like, wow, that's really fascinating. And then it wasn't till later when I got this camera that I started joining meetup groups. And in the meetup groups, they would go detail into hey, here's how you take headshots, or here's how you do portrait photography, here's how you set up three light setup. Like that really pulled me into it because I'm a curious guy, so once I discover one thing, I I want to go deep all the way. So that got me even more interested in learning about photography. But plus, you're capturing these memories, and and we all know we all love to sit around a coffee table and go through old photos. And you know, we do that every once in a while when we're back home uh at my parents' yeah, no, I do.
SPEAKER_01:I love that too. I have that like that. We have giant bookshelves in my living room and they're full of photo albums, and so it's uh it's always so fun to like pick them up. And my husband's always like, Why don't you be in the moment? And I'm like, who's gonna remember it for us if I'm not taking the pictures? So, you know, and so I I totally understand about that. And then also another thing, I used to be a wedding photographer too, and um, I'm not anymore, but my favorite thing is on Facebook when um people have their wedding anniversaries and they're posting photos that I took at their wedding. Yeah, and uh those are really it's really cool to see. And I'm like, yeah, you're still together, yes. And I was like, and I get to see the photos all over again because I don't go look at people's weddings all the time, you know, so it's kind of fun to see it. I'm like, oh, that was fun. I remember taking that wedding photo. So um yeah, no, I love photos are definitely memories. But I know one time we were uh when we talked before, we were talking a lot about light, and I think you said something really cool about how like photography is just painting with light, and I really love that. Um, do you want to elaborate on like kind of like where that came from?
SPEAKER_00:You know, we you want to shape the subject that you're shooting, and it all depends on where the sun is in in the sky, if you're doing landscape photography, if you're doing portrait photography, where's the sun, where's the light coming from? Because you want to highlight uh the person that you're taking a photo of, and then they'll they're gonna admire it. So that's what I mean painting with light. And the other reason I mentioned painting a light, painting with light is because when I'm setting up setting up a studio space, I'm doing exactly the same thing, and that's painting with light. So I'll do a little demonstration of my little studio space as we paint with light. So let me go down here, turn off the different lights.
SPEAKER_01:Where did you go?
SPEAKER_00:I disappeared. So if I just had my office lights on, you know, you can kind of see the the regular room light that most people experience when they're uh on Zoom because they're just have their overhead light. What I like to do is I like to uh have a fully blocked out room and then start adding lights. Now, the reason why the camera didn't adjust back is because I've locked the camera to a manual mode so that as I bring the lights in, the camera setting stays locked in. So you've got my key, my key light, then I've got my fill light, and then I've got my hair light. And this is a three-point lighting that basically lights you up from three different points, and it helps you to be seen by the camera. As you can see, we have a little darker background, and that's also known as studio lighting because we're highlighting the talent in the subject, and that background could literally be a black backdrop, a white backdrop, or any color backdrop, and you're kind of good to go. But what I was like, you know, I gotta add some flair, I gotta add some uh color to this setup. So I added some shelf lights and floodlights to then, you know, bring in that additional color, bringing that additional um what's that word?
SPEAKER_01:I'm gonna say pizza character to the image.
SPEAKER_00:Yeah.
SPEAKER_01:I like that. That's so cool. What made you choose those colors? Because you can change the colors, right?
SPEAKER_00:I can change the colors and I have previous shots where it was all red, and I was like, no, I gotta I gotta have a contrasting color, so blue and red kind of mix into a purple. And the reason I choose chose blue and red is because those are the colors for my home studio mastery logo and my other company logo.
SPEAKER_01:That's awesome. Yeah, that's ours too. We have the it's us pink and orange, so that's ours. I like it. So yeah, that's ours too. So yeah, no, I love that. And that's that's literally like we use a lot of the same methods to like light our studios, and especially like when you come into podcast videos, that's how you get to customize like your studio space. Like, yeah, you know, you can't come in and build your own set, you know, but you you can like customize it and do certain things. But and it's amazing how just like a little bit of light just makes a little bit of difference. So that's super cool. All right, but let's talk about cameras. Okay, what was your first camera?
SPEAKER_00:So the first camera was a film, was a film camera, it could have been a Pentax, it could have been a Kanica Minolta. I'm not I can't remember at all because that was a long time ago. But I do remember that my second camera that I was uh very fond of was a uh I think it was a Canon. So we had a Canon film camera, then I had a Canon uh point and shoot cameras, and then I also used to have a Sony point and shoot camera with a longer lens. But again, those were you know five, six, ten megapixel cameras. Now we're now we're at such high resolution, it's kind of kind of amazing what we can do with photography. So those were some of my first cameras that I used.
SPEAKER_01:Yeah, I remember the first digital card, like my first digital camera when I was working, uh I was working at the newspaper in like the early 2000s, and the card for like a whole day's work was like 250 megabytes.
SPEAKER_00:Yeah, yeah, yeah.
SPEAKER_01:And like, and you could put so many pictures on there. That's how that's how small those files were when they were coming off camera.
SPEAKER_00:Exactly. And now we're we're at gigabytes sizes and whatnot.
SPEAKER_01:Yeah, terabyte. You're gonna get a terabyte card or something. You know, it's crazy. Um, yeah, no, I love that. Um okay, and so I wanted to talk to you because that's another conversation we had earlier. This one we had at Podcast Movement where we were talking about the best camera for um everybody to start out with. Yeah. So, like, you know, if you're just starting out, you're kind of intimidated by these cameras and lenses and buttons, what camera should you use?
SPEAKER_00:You know, the camera that you want to start using is you already probably have it. And we we've all had these cameras in our pockets for say 18 years, right? Because we've been using smartphones with the with a beautiful front screen and beautiful cameras in the back. So why not use that camera? And there are different apps that you can use that you can download that will give you even more control on the on the lens. You could play with the ISO, you can play with the uh the aperture, you can play with the uh the exposure, like all of the different things that you can do on a camera, you can do on your smartphone using that app. So that's the best camera that I would uh suggest you start playing with, you know, get get really creative.
SPEAKER_01:Yeah. What are some things? Because I know I see people, you know, all the time where they have they have like all their they have their phone and they're just walking around and they're like taking pictures, you know, they're just literally just like pushing the button. So what kind of things can somebody do to just kind of like to to basically level up on using that cell phone camera in a way that where it it'll look more artistic?
SPEAKER_00:Yeah, so the number one thing that you want to do is you want to compose your shot and if you can enable the the the thirds on your the third lines on your screen. So it's usually called the grid. You can also look at the golden rule and see where the leading lines. So when you're taking a shot, think about leading lines, think about using those uh nine squares on that shot because you want to create interest, you want to create uh character of the photos. The photo speaks a thousand words, right? So you want to make sure that it's not just a picture of a fire hydrant, but it's a picture of a fire hydrant in a busy street, right? So you create that story, you create a message uh through those photos. And you probably heard of you know photographers and and journalistic photographers that went into war. What were you they capturing? What kind of photos were they capturing? You know, you they're capturing photos of people in despair, they're following pictures of people that are you know holding back or you know, of the military that's going out. So there's a ton that you can tell from that picture just by the way you shoot it.
SPEAKER_01:Yeah, no, that's really good advice. I love that. As a as a photojournalist, I mean I never got to shoot in a war zone or anything. But yeah, I know, but my mother was happy about it. I was not happy about it. I wanted to go. But uh, but yeah, so like but just just doing just you know, you do that every day where all you're doing is just looking and you're waiting to find that different angle and that different thing. And I remember a lot of the things that we would do is uh wait, you know, you would just wait, you find the composition and then you would wait for the frame to like some action to happen, you know, and so you don't have to just be like taking pictures all the time, you don't have to take like 700 pictures, you literally just like pull it up, you're like, I like this, I'm just gonna wait for like that person to walk through and then I'm gonna take the pictures. So I think yeah, yeah, just kind of like like find find the composition, find the the the like find out like this is what it this is the frame. I framed it, and now I'm waiting for the action to happen in in inside of it. So it tells a story. Yeah, so it tells a story, yeah, right. Telling the story is like the most important thing because um, you know, that's that's I think you know, um, other than painting with light, that's the other point of photography is you know, the photos tell a thousand words, and so videos tell a thousand words a second.
SPEAKER_00:So yes, exactly. Um so yeah, something you mentioned about um the waiting time waiting thing, right? It reminded me of a story where this uh wildlife photographer, he was holed up in this mountain for I think three weeks so he can capture a glimpse of a snow leopard. And that photo was absolutely brilliant because not only was he using a massive 1600 millimeter lens because he's miles away, but he was able to capture this beautiful photo of this snow leopard in its uh you know, original habitat. So waiting is is the name of the game because you can capture some really good shots.
SPEAKER_01:Exactly. Yeah, yeah. It's in the slowing down, you know. Everyone's like, oh, you're not in the moment. You're like, I'm actually like super focused in this moment right now.
SPEAKER_00:Like exactly.
SPEAKER_01:Like I'm more in this moment than you are. And I'll have a memory of it. So yeah. Um, so I mean, how did your love of light and photography, how did it lead into building home studios?
SPEAKER_00:Yeah, that's a great question because as I've been behind camera for so long, for the past 15 years, I've been behind camera uh shooting films, shooting uh capturing moments or capturing stories and and uh doing behind the scenes photography for TV shows and film, you know, uh behind the scenes videos for TV show. Hey, this is what goes on behind the TV show, the work that goes into, you know, here's the actor, he's out in the cold, and we're waiting for the perfect time so that we can then shoot. So, you know, shooting that kind of stuff, shooting commercials and documentaries and whatnot. So I've been behind camera for so long, but when the pandemic hit, we were all stuck at home. Now, I had already been podcasting uh audio only uh for my Hacks and Hobbies podcast, and as the pandemic hit, I was like, well, we're stuck in this home, stuck in the house. And I wanted to create a video course on teaching people how to shoot proper video and photos on a smartphone. Well, that never happened because I didn't have a studio, uh, but by the time the pandemic hit, I was like, okay, well, well, now I have the time I can build a studio out here. And as I started doing that, people around me start asking me, are you using Zoom? Like, yes. Like, why does your video look so good? Because I'm on Zoom and my video looks like shit. Uh so I'd be like, well, it's a matter of uh how you place the lighting and how you place the microphone and how you frame yourself in the shot. So all of those things combined, I would tell them, you know, here's what's going on and here's what you gotta do. So they would ask me if I could consult uh with them and show them what I'm doing. And they were like just blown away by by what few little tips helped them, you know, create a set or create a a stage for themselves that uh, you know, just uh massive transformation, let's just say that. So that's how I got started. That's how I got into building studios for others.
SPEAKER_01:That's awesome. What kind of tools do you use? Like I know that I'm I'm a really visual person, and my husband, like, he'll talk about like we redid our kitchen during the pandemic, and he's like, he's like, yeah, and then we're gonna take this part out, and then we're gonna build a new pantry, and we're gonna do this and do that. And I was like, he's like, Don't you see it? And I was like, No, no, no, I don't. And I'm like, I'm gonna need you to literally draw me a picture. So um, when you're talking to somebody about like like how they're how to build out their studio, how do you help them like visually see what your your vision?
SPEAKER_00:Yeah, so use uh different applications um that my clients have access to, and then some application that I have access to. So the simplest thing that I ask them is, hey, can you give me the dimensions of your room? Can you show me uh send pic send me some pictures so I know where the doors are, where the windows are, and if you have any closets or whatnot, if maybe you have some mirrors in the sh in the in the room. And then once they send those things to me, then I'm able to put the plan together using my 3D building software. Basically, it's architecture software that uh architects use to kind of give an idea of their architectural clients what their home might look like. So just like you were saying, you know, your husband had an exact idea of what that uh kitchen might look like, but we still need to see it visually. And we actually did a very similar thing. Uh I would go to the IKEA website and they had a kitchen designer software, and I was like, hey, this is how we can lay out our room, and blah, blah. So then my wife could actually visualize it. Oh, this is what the room's gonna look like. So that's the kind of software that I use to take the dimensions and the photos from my clients and then rebuild that room in 3D software, so then we can walk around, we can kind of get the measurements and kind of get an idea of what kind of uh lighting, what kind of cameras, and how far does it need to be from the person, uh, you know, put that together.
SPEAKER_01:Yeah, that's super cool. That's super cool. You can do it virtually, like you don't have to be there, which means you can work with anybody anywhere.
SPEAKER_00:Exactly. Um I just finished working with a client in UK, and I'm here in Herndon, Virginia, and he was able to literally build out what uh we talked about, and you know, then we jumped on a the last Zoom call and like okay, I just need these few little tweaks. I tweaked it for them, I helped them set up his Zoom, and voila, he's got the look that I had envisioned for him, and now he's like, Oh my god, I'm I feel so much more empowered to create content. I feel so uh enthusiastic. Like he's he's like, I'm creating content every single day because I have this base, and when people come to visit his house, guess what he's doing? He's like, you dude, come on, come on, you gotta check out my studio. Look at this, this is so cool.
SPEAKER_01:Like, come see my studio, this is so cool. Yeah, you're like, come on, come on, come on. Yeah, that's really cool. And yours is yeah, that's cool that they that you can help someone make something that they're super proud of. That's awesome. Yeah, okay, so you're not you don't just do like studios, right? You have a book, right? What is your book?
SPEAKER_00:So my book is called The Seven Stages of Home Studio Evolution. And as the past four years that people have been asking me questions, I was like, well, what if there was a book that answered all of these questions? Because they've come and asked me, okay, what camera should I get on at this budget level? Um, I don't want to spend too much money. What should I use? So I was like, you know, a book would be perfect to put all this information in. So I created the book called Seven Stages of Home Studio Evolution. And each stage, you're leveling up not just yourself, but also the gear that goes in your studio.
SPEAKER_01:That's really cool. So, like, like where does it start? Does it start like cell phone?
SPEAKER_00:Yeah, so it starts with a smartphone camera, and we call that stage the novice stage because everyone's a novice with a smartphone. And then as they move up to the next stage, which is the hobbyist stage, they've now spent some money and bought a better microphone as opposed to using the microphone on their phone, or maybe they're using a wireless microphone. So that's the hobbyist stage. And then as we're doing this, we're also taking care of the lighting. We're also looking at what's seen in their in their shot because they're again setting the stage for their show, setting the stage for whatever video content that they're looking to create. So, and then so that's the third stage is the enthusiast. This is where they're like, okay, you know what? I'm a little more dedicated to what I want to do. Maybe I want to get a phone a camera, a crop sensor camera, or maybe a micro four-thirds camera, so that I can leave the camera and not use my phone anymore because I want to text people, hey, where are you at? So right, so those are the first three stages, and then from that stage up, you go, you put you know, you go to semi-probe, professional, expert, and then the broadcaster. And then again, in each level, they're working on one thing that nobody can um resolve.
SPEAKER_01:Yeah, so just polish like how to like get to like how do you know when you're getting ready to go to that next level?
SPEAKER_00:Exactly. You're you're working on yourself, you're working on the storytelling, you're working on the communication, you're working on all of the things that make you unique, and you're not no longer copying anybody else, right? People say you should start copying somebody, but then build your own uh build your own personality around who you are. Because we all might like the same things, but we are all have lived experiences and you know come from different backgrounds.
SPEAKER_01:That's really cool. And so, yeah, basically like it's it's how do the how do you how do people know they're ready to go to the next phase? Is it just kind of like you just know it because like you're like, okay, I'm ready, like I'm ready to number one invest, but I also think that you know you're like, well, yeah, like people have told me that like my I I I interview good, so now I'm ready for the next level.
SPEAKER_00:Yeah, so as for example, if you were to say, hey, I want to start running a marathon, right? You'll you'll know you're ready when you're no longer running out of breath, you're no longer, you know, uh are are saying, Oh my god, this is this this last mile was so hard, the temperature was so hot. And then as you're training for that marathon, you're getting better, your body's acclimated to it, and then you're like, you know what? I need to buy me some faster shoes or lighter shoes. So that's when you know that you're ready to level up. And now you can run that marathon. So just like that, how comfortable are you in front of camera? How natural are you showing up? Like all of those things help you, you know, you're gonna know that I'm ready to upgrade as you go along that path and and you know, take that journey.
SPEAKER_01:That's really cool. That's really good advice because yeah, I think that that's that's the hard part I think people know because they're like, you know, they they they're like, okay, I'm having fun doing this, but like, how do I know if I'm having a good job? But I think it's this, yeah, it's just like if you're if you're enjoying it, you like doing it, you like the way you look on camera, kind of. I mean, you're okay with the way you look on camera, I think is mostly it. Yeah. Uh, and then you're ready, you know, and then you get comfortable and you're and you're ready to take it to the next level. Like if you're ready to commit the time, I think, I think time is a lot too. You know, it's like if you're a lot of people think this is really fun, and it is, but it's a lot of time. It's a lot of time to get, you know, like we like the prep that no one sees like that goes into the podcast and like how we, you know, how all the interviews we do beforehand and just getting to know each other, and then you and then you go and you do the recording.
SPEAKER_00:Exactly.
SPEAKER_01:Yeah, it's more than it's more than just, you know, um, you know, you show up and just talk. Unless you're my unless you're the founder of this company, he has a podcast and he really does just like roll in, reads like a little like thing about some of the person he's about to interview, and then like and then like it's like they know each other their whole life. So, but uh not everybody is that natural.
SPEAKER_00:Yeah, I mean you you again, right? You gotta build that rapport with yourself and have that knowledge base as well. I mean, uh, I just we were just in studio recording a podcast for a client of mine, and they brought in this gentleman who's probably in his 80s, nominated for two uh uh two Nobel Peace Prizes. He's done like so much work and he's he's you know doing space law, he's doing all sorts of amazing things, right? And he had so much knowledge that you could throw any question at him and he knew the answer because he does the research and you know he also is a lawyer. So again, the more the more learned you are, the better you're gonna be at asking questions and answering questions and being uh just natural, naturally yourself.
SPEAKER_01:Yeah, that's awesome. Yeah, I love that. Yeah, lawyers, lawyers are really good at stuff like that. That's like their job. Um, but okay, I wanted to ask that I always have one last question that I ask everybody is what advice would you give to someone just starting out? Like if there was one piece of advice you would give to them, what would it be?
SPEAKER_00:The one thing that creators that if whichever journey you're on as a creator, you want to figure out what the end goal is, right? What is the end goal with this journey that you're gonna grab and you know getting to? If the end goal is to get a thousand subscribers, well, get ready to post a ton of content, right? And doing the reps, you want to do as many reps as possible, and as you do the reps, you will figure out the niche that you want to go into. For example, when I started my podcast, I had no idea what the podcast was going to be called, but I was like, I need to get started, and I started recording audio podcasts in my car on the smartphone. I was like, all this equipment.
SPEAKER_01:Is it soundproofing? Is it the soundproof? Because like the car is outproofing.
SPEAKER_00:And then I was just motivated. I was I was tired of waiting. I was like, I just gotta get started. And sure, I did I did about uh 60 episodes in my car, all solo episodes. You know, I felt motivated in some of them. I felt like, yeah, do I really want to do it? Yes, I do need to do the rep. It's like when you're going to the gym and you're training for something, you gotta go because if you lose one day or two days, it's all backwards. You know, you you're all gone, yeah, you've lost all the work that you put in. So again, put in a ton of reps. You're gonna know uh where you want to end up and uh just get started.
SPEAKER_01:Yeah. I love that. Yeah, just get started because that's I think that's that's that's the biggest barrier that a lot of people face. It's like, I don't know. I haven't thought about this, I haven't thought about that. We have some some people, some clients, they're like still working on like their show log logo. And you're like, you can always change that later. Like you don't need to you don't need to do that right now. Like let's just get started on some content. Um okay and so thank you so much for being here. I wanted to give you one last push to uh plug plug anything you want plug your business plug your book like where can people find you where can people find the book um one last publish one last plug.
SPEAKER_00:All right so head on over to homestudiobook.com if you're interested in the book I'll show you what the book looks like. It's beautiful. And uh if you want to learn more about Home Studio Mastery you can go to homestudiomastery dot com and to listen to my hundreds of podcast episodes is head on over to hacksandhobbies.com. I gave you three different links and they say you should only give them one link. But there you go.
SPEAKER_01:That's fine. Yeah now they have choices. That's amazing. All right well thank you so much Janae this was amazing. It's great to talk to you. Um I hope we can come back and do some more maybe some more learning sessions. Um and so thank you so much for being here and I really appreciate it.
SPEAKER_00:Thank you, Brooke, for the opportunity.
SPEAKER_01:Thank you.